Clarinetist

Performer — Collaborator

Biography

Michael Webster is Professor of Music at Rice University’s Shepherd School of Music and Artistic Director of the Houston Youth Symphony, winner of first or second place in the American Prize and the Foundation for Music Education’s Mark of Excellence over 20 times since 2008. Described by the Boston Globe as “a virtuoso of burgeoning prominence,” he has collaborated with the Chamber Music Society of Lincoln Center, the Tokyo, Cleveland, Muir, Ying, Dover, Chester, and Artaria String Quartets and internationally-known artists including Yo-Yo Ma, Joshua Bell, Lynn Harrell, and many others. He has been associated with some of North America’s finest festivals, including Marlboro, Santa Fe, Chamber Music West and Northwest, Norfolk, Angel Fire, Steamboat Springs, Sitka, Park City, Skaneateles, Stratford (Ontario), Maui, La Musica di Asola, Victoria (BC), and Domaine Forget (Quebec). As a soloist he has appeared with many orchestras, including the Philadelphia Orchestra with Aaron Copland and the Boston Pops with John Williams, and was for many years Aaron Copland’s favorite interpreter of his Clarinet Concerto.

Webster’s recital career began at Town Hall in 1968 with his eminent father, Beveridge Webster, as pianist. That same year he won Young Concert Artists’ International Competition and became Principal Clarinetist of the Rochester Philharmonic Orchestra, a position he held for twenty years. He has performed in all of New York City’s major halls, across the United States, and in Canada, Mexico, Central America, South America, Japan, Europe, Australia and New Zealand. He has appeared as guest artist at the 92nd Street “Y”, and in Houston with Da Camera, Musiqa, and Context. High Fidelity/Musical America placed his CRI recording of American clarinet music on its Best Recordings list and Artists International selected him for its Distinguished Artist Award.

Webster has served as Acting Principal Clarinetist of the San Francisco Symphony, Music Director of the Society for Chamber Music in Rochester, Founder and Music Director of Chamber Music Ann Arbor, and Associate Professor of Clarinet at the Eastman School of Music, from which he earned three degrees. In 1988 he became a member of the conducting faculty at the New England Conservatory and taught clarinet both there and at Boston University.  He has also taught at the San Francisco Conservatory, the Yale Summer School at Norfolk, Aria International Academy, the Boston University Tanglewood Institute, and the Johannesen International School of the Arts.  He was Music Director of the Wellesley Symphony Orchestra, Assistant Conductor of the Asian Youth Orchestra under Yehudi Menuhin, and guest conducted several Boston-area orchestras until moving to Ann Arbor, where he was Adjunct Professor of Conducting at the University of Michigan and Director of the Michigan Youth Symphony Orchestra from 1993 to 1997.

In demand as a clinician, Webster has presented master classes at such institutions as the Manhattan School of Music, Florida State University, the University of Colorado at Boulder, Louisiana State University, the Puerto Rico Conservatory (San Juan), the University of Victoria (Wellington, New Zealand), Senzoku Gakuen (Tokyo, Japan), the University of Washington, the UMKC Conservatory of Music (Kansas City), the University of North Carolina at Greensboro, and at the Interlochen Arts Academy.  He has also served as a coach for the Youth Orchestra of the Americas (in Brazil, Venezuela, Belgium, Mexico, Colombia, China, and the US), the National Youth Orchestra Festival (Sarasota) and at Banff for the International Festival of Youth Orchestras. He was the founding director of Clarinetopia, a residential seminar at Stony Brook and Michigan State Universities.

In 1988, he and his wife Leone Buyse founded the Webster Trio (flute, clarinet, and piano), represented on Crystal Records by Tour de France with Katherine Collier and World Wide Webster and American Webster with Robert Moeling. With Chizuko Sawa, the Webster Trio Japan has released Sonata Cho-Cho San on the Nami label and From Vienna to Budapest for Camerata. All of these discs feature Webster’s trio arrangements which, along with his original compositions, are published by Theodore Presser, International Music Company, Schott, and G. Schirmer. Webster also appears on the Albany, Arabesque, Beauport, Bridge, Centaur, and CRI labels. A dedicated teacher, since 1998 he has written a regular column entitled “Teaching Clarinet” for The Clarinet magazine, official journal of the International Clarinet Association. He has appeared frequently at ICA’s annual convention, ClarinetFest. Webster is a Buffet artist/clinician, playing Buffet clarinets exclusively.

Distinguished Collaborators

Listed below are some of the artists with whom I have had the pleasure of collaborating during my performance career.

 

Piano


Sara Davis Buechner
Myung-Whun Chung
David Deveau
Misha Dichter
Peter Frankl
David Golub
Richard Goode
Jeffrey Kahane
Joseph Kalichstein
Anton Nel
Ursula Oppens
Jon Kimura Parker
André-Michel Schub
Peter Serkin
Rudolf Serkin
Beveridge Webster


Violin


Joshua Bell
Andres Cardenes
Jennifer Frautschi
Felix Galimir
Sidney Harth
Mark Kaplan
Ida Kavafian
Ani Kavafian
Young Uck Kim
Benny Kim
Cho-Liang (Jimmy) Lin
Sergiu Luca
Robert Mann
Shlomo Mintz
György Pauk
Charles Treger
Kathleen Winkler


Viola


Atar Arad
James Dunham
Paul Hersh
Nobuko Imai
Kim Kashkashian
Martha Katz
Boris Kroyt
Paul Neubauer
Nokuthula Ngwenyama
Scott Nickrenz
Heichiro Ohyama
Samuel Rhodes
Yizhak Schotten
Marcus Thompson
Walter Trampler


Cello


Claus Adam
Colin Carr
Stephen Doane
Timothy Eddy
Norman Fischer
Bonnie Hampton
Lynn Harrell
Paul Katz
Laurence Lesser
Yo Yo Ma
Fritz Maag
Maureen McDermott
Sharon Robinson
Nicholas Rosen
Fred Sherry
Jeffrey Solow


String Quartet


Artaria
Chester
Cleveland
Dover
Muir
Tokyo
Ying


Winds


Leone Buyse
Loren Glickman
Stanley Hasty
Karl Leister
Robert Marcellus
Tara Helen O’Connor
Gervaise de Peyer
Paula Robison
Ronald Roseman
David Shifrin
Barry Tuckwell
Carol Wincenc


Voice


Betty Allen
Jan deGaetani
Maureen Forrester
Suzanne Mentzer
William Sharp
Lucy Shelton
Benita Valente

 

Discography

Solo and Chamber Music recordings.

 
 
From Vienna to Budapest (Camerata Tokyo 38001) Works by Brahms, Schubert and Bartok/Arma transcribed for flute, clarinet, and piano, performed by the Webster Trio Japan (Leone Buyse, flute; Michael Webster, clarinet; Chizuko Sawa, piano

From Vienna to Budapest (Camerata Tokyo 38001)
Works by Brahms, Schubert and Bartok/Arma transcribed for flute, clarinet, and piano, performed by the Webster Trio Japan (Leone Buyse, flute; Michael Webster, clarinet; Chizuko Sawa, piano

Sonata Cho-Cho San (Nami/Live Notes WWCC-7302 Works for flute, clarinet, and piano performed by the Webster Trio Japan (Leone Buyse, flute; Chizuko Sawa, piano) featuring arrangements by M. Webster of operatic music by Puccini, Mozart, and Bizet

Sonata Cho-Cho San (Nami/Live Notes WWCC-7302
Works for flute, clarinet, and piano performed by the Webster Trio Japan (Leone Buyse, flute; Chizuko Sawa, piano) featuring arrangements by M. Webster of operatic music by Puccini, Mozart, and Bizet

Music of Joseph Dubiel (Centaur Records 2661) Works for clarinet and piano, clarinet and strings, and bass clarinet and piano

Music of Joseph Dubiel (Centaur Records 2661) Works for clarinet and piano, clarinet and strings, and bass clarinet and piano

World Wide Webster (Crystal Records 357) Works for flute, clarinet, and piano performed by the Webster Trio (Leone Buyse, flute; Robert Moeling, piano in transcriptions by Michael Webster of music by Brahms, Debussy, Dvorak, and Louis More…

World Wide Webster (Crystal Records 357)
Works for flute, clarinet, and piano performed by the Webster Trio (Leone Buyse, flute; Robert Moeling, piano in transcriptions by Michael Webster of music by Brahms, Debussy, Dvorak, and Louis Moreau Gottschalk

Howard Boatwright (CRI 775) Sonata for clarinet and piano (Barry Snyder, piano)

Howard Boatwright (CRI 775)
Sonata for clarinet and piano (Barry Snyder, piano)

American Webster (Crystal Records CD717) American works for flute, clarinet, and piano

American Webster (Crystal Records CD717) American works for flute, clarinet, and piano

Tour de France (Crystal Records 356) Works for flute, clarinet, and piano performed by the Webster Trio (L. Buyse, flute; Katherine Collier, piano) featuring transcriptions by Michael Webster of music by Bizet, Debussy, and Fauré

Tour de France (Crystal Records 356)
Works for flute, clarinet, and piano performed by the Webster Trio (L. Buyse, flute; Katherine Collier, piano) featuring transcriptions by Michael Webster of music by Bizet, Debussy, and Fauré

Donald Martino (CRI 693) A Set for Clarinet

Donald Martino (CRI 693)
A Set for Clarinet

Martin Amlin Music for Flue, Clarinet, and Piano (Albany Troy 1567) Works by composer Martin Amlin for Flute, Clarinet, and Piano

Martin Amlin Music for Flue, Clarinet, and Piano (Albany Troy 1567) Works by composer Martin Amlin for Flute, Clarinet, and Piano

Mozart (Arabesque Recordings Z6617) Serenade No. 10 in B-flat major, KV 361, “Gran Partita” with the Chamber Music Society of Lincoln Center,
Michael Webster, basset horn, Gunther Schuller, conductor

Berlioz Les nuits d’été, Op. 7 and Mahler Five Rückert Songs (Bridge Recordings 9017, 1991 Grammy nominee)
Jan de Gaetani and the Eastman Chamber Ensemble, David Effron, conductor

Camerata 21 (Universidad Veracruzana) Round Top Trio for flute, clarinet and piano by Anthony Brandt

Arlene Zallman: Sei La Terra Che Aspetta (Bridge 9323) Nightsongs for soprano, flute and clarinet

Fleeting Visions - Collaboration II (Beauport BC1804) Sonatina Casada for flute and clarinet by Arthur Gottschalk

American Vistas (Albany Troy 1097) As It Fell Upon a Day for soprano, flute, and clarinet by Aaron Copland

Gathering the Lost Garden (Acis APL14471) Gathering the Lost Garden for mezzo soprano, clarinet and bass clarinet, and piano by David Ashley White

Rivier Revisited (Crystal Records 319) Duo for flute and clarinet and “Capriccio” for woodwind quintet by Jean Rivier.

American Contemporary Music for Clarinet and Piano (CRI LP 374) Works of Donald Martino, Verne Reynolds, Louise Talma, and Michael Webster

 

As principal clarinetist of the Rochester Philharmonic Orchestra, David Zinman, conductor

  • Amram: Triple Concerto for Woodwind, Brass, Jazz Quintets and Orchestra; Elegy (RCA Red Seal)

  • Beethoven: The Creatures of Prometheus (Vox Turnabout); Romances (Elektra/Nonesuch)

  • Dvorak: American Suite; Legends; Suite in A, Op. 98b (Elektra Nonesuch)

  • Gutché: Icarus (Vox Turnabout)

  • Janacek: Lachian Dances (Elektra/Nonesuch)

  • Mendelssohn: Scottish Symphony, Hebrides Overture (Vox Cum Laude)

  • Spohr: Violin Concerto #8 (Elektra/Nonesuch)

 

As principal clarinetist of the Rochester Pops, Erich Kunzel, conductor

  • Ties and Tails (Ellington and Gershwin)

  • Syncopated Clock (Anderson)

  • An Enchanted Evening

  • Uptown/Downtown

  • The Best of Broadway

As principal basset horn with the Boston Symphony Orchestra, Seiji Ozawa, conductor

  • Strauss: Elektra (Philips)

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Buyse

Webster Duo

Married in 1987, flutist Leone Buyse (rhymes with “spicy”) and clarinetist Michael Webster bring a special warmth and intimate understanding to their performances in solo recital, chamber music, and concerto settings. Professional colleagues for seven years in the Rochester Philharmonic Orchestra, they first began performing as a duo in 1980 while members of the San Francisco Symphony. Following a decade of contributions to Boston’s musical life, the peripatetic pair relocated to Ann Arbor, Michigan but were soon lured from the University of Michigan by Rice University to Houston, Texas, where they work together training future orchestral players, chamber musicians, soloists, and teachers at the world-renowned Shepherd School of Music.

Committed to promoting and expanding the repertoire for flute and clarinet through research, commissions, and transcriptions, the Duo offers a refreshing array of solos, duets, and trios with a collaborative pianist and concertos with orchestra.

Buyse and Webster share a love of education, travel, and language. Wherever they perform, they seek interaction with their youngest listeners - the audiences of tomorrow. During the past two decades they have appeared together in locales as diverse as a remote northern California reservation, downtown New York, Chicago, and Tokyo, rural Quebec, Symphony Hall with the Boston Pops, Alaska, New Zealand, the mountains of Colorado and Utah, and a Caribbean island. In addition to being internationally known performing artists, both have gained recognition as writers and speakers in the music field, and are in demand for clinics, workshops, and master classes. Their concerts invariably include commentary designed to enlighten and entertain. While on tour in Japan, they astonish their listeners by explaining repertoire and signing post-concert autographs in Japanese.

 
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Webster Trio

The Webster Trio was founded in 1988 by Michael Webster and Leone Buyse in order to expand and promote the repertoire for flute, clarinet, and piano through commissions, transcriptions, and research. The trio’s pianist was Robert Moeling (1956-2018). Previous collaborative pianists were the legendary Beveridge Webster, Michael’s late father and a long-time member of the Juilliard School faculty, pianist-composer Martin Amlin of Boston University, and University of Michigan faculty member Katherine Collier. In Japan, Buyse and Webster performed with pianist Chizuko Sawa as the Webster Trio Japan, touring throughout Japan and giving recitals at Tokyo’s Suntory Hall and Bunka Kaikan.

This selfie in Xalapa, Mexico was taken after rehearsing for what would be, unbeknownst to us, our last concert together.

Find out more about the Webster trio at www.webstertrio.com.

 
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Clarinetopia

From 2009 until 2016, I organized Clarinetopia, an annual seminar giving clarinetists an opportunity to immerse in the art of teaching and performance through student and faculty recitals, master classes, presentations, and demonstrations.

Clarinetopia catered to all serious clarinetists: students, professionals, teachers, adult amateurs – any clarinet lover who wanted to deepen and broaden understanding of performing and teaching. Up to twenty performers were selected to perform in the master classes on the basis of submitted recordings.

For full details, visit www.clarinetopia.com.

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